Billie Eilish has become the youngest-ever two-time Oscar winner in history at the age of 22

Billie Eilish has become the youngest-ever two-time Oscar winner in history at the age of 22

Billie Eilish and Finneas O’Connell, who contributed to the “Barbie” soundtrack, won the best song award for the second time on Sunday night, making history as the two youngest two-time winners in Academy Awards history.

The title track of the 2022 James Bond movie, “No Time to Ԁie,” earned the pop-star twins a prior victory. With her triumph at age 22, Eilish has now become the youngest Oscar winner ever, while O’Connell, at age 26, is thought to be the second youngest.

Billie Eilish and Finneas O’Connell, who contributed to the “Barbie” soundtrack, won the best song award for the second time on Sunday night, making history as the two youngest two-time winners in Academy Awards history.

The title track of the 2022 James Bond movie, “No Time to Ԁie,” earned the pop-star twins a prior victory. With her triumph at age 22, Eilish has now become the youngest Oscar winner ever, while O’Connell, at age 26, is thought to be the second youngest.

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One of the two “Barbie” songs that were nominated was “What Was I Made For?” The other (written by two more former winners, Mark Ronson and Andrew Wyatt, who wrote “Shallow” for 2018’s “A Star Is Born”) was Ryan Gosling’s humorous lament, “I’m Just Ken.”

Billie Eilish Becomes Youngest-Ever 2-Time Oscar Winner for 'Barbie' Song

While Eilish’s gentle ballad, a melancholic reflection on the complexity of human emotions, was generally projected to win, it was worth noting that “I’m Just Ken” was sung on-camera in the movie during the beachside figҺt and spectacular dance performance. Greta Gerwig, the director, dubbed it “Barbie’s heart song.”

For “What Was I Made For?” Eilish and O’Connell have already won two Grammys, the Golden Globe, and song of the year. They have also received recognition from the Society of Composers & Lyricists. The fact that the Eilish song had an estimated 633 million streams—far more than the 105 million recorded for “I’m Just Ken”—boosted its chances even more.