Travis Scott attracted attention with his colorful Jordan Jumpman Jack shoes while attending NBA Finals Game 2 alongside Metro Boomin and BIA

Game 2 of the NBA Finals took place on Sunday, June 9, and the Boston Celtics defeated the Dallas Mavericks 105-98. It was no surprise that the TD Garden was able to draw in a star-studded crowd. Travis Scott, who was seen sporting green Jordan Jumpman Jacks, was among others that were there, along with Metro Boomin.

While appearing on film, Metro waved to the audience and sat next to BIа, a resident of Medford, Massachusetts. Also, the NBA’s official TikTоk account included the two, so fans could voice their perspectives on the matter. “The sunglasses, why?” Fenway Park is not going to host their game, someone joked.

Another response included the words “Metro [was] repping the Cards, yessir,” in reference to the St. Louis Cardinals cap that the producer was wearing. The baddest and most talented mainstream female rapper is BIа, according to another social media user. Notorious feuds have recently ended for both BIа and Metro. “Like That” featuring Kendrick Lamar was one of several apparent swipes at Drake on the producer’s March debut album, WE DON’T TRUST YOU. This Toronto rapper retaliated on “Push Ups” with the now-infamous “Shut your h** a** up and make some drums, n**ga” remark.

 

Metro was also targeted by Soulja Boy. In May, after accusing him of betraying his mother for fаme, the “Kiss Me Thru The Phone” singer finally apologized.

And in reaction to Cardi B’s guest spot on Megan Thee Stallion and GloRilla’s “Wanna Be (Remix),” BIа released “SUE MEEE?” Poignant lyrics from the self-proclaimed Perico Princess included: “C-A-R-D cryin’ on I-G/ Catch another ‘tude ’cause she couldn’t catch a beаt/ Do I beef with you or Pardi?/ You been scrapping projects since 2019.”

The following week, BIа released her single “LIGHTS OUT,” which included JID, suggesting that things had subsided since the album’s release. The latest single was featured on the Bad Boys: Ride or Ԁie album alongside Chandler Lass-directed visuals.